Behind The Lens: Cathedral Gorge

Behind The Lens: Cathedral Gorge

Behind The Lens

Behind The Lens: Cathedral Gorge

“Castles in the Sky”  Rock formations in an alien landscape, Cathedral Gorge State Park, Nevada USA. Canon EOS 5D Mark IV, Canon EF 11-24mm f/4L USM lens @ 11mm, 1/125 second @ f/11, ISO 100. Converted to B&W in Adobe Lightroom.

Cathedral Gorge

Tucked into the southeastern corner of Nevada sits Cathedral Gorge State Park, a narrow, deeply-eroded valley exquisitely carved into the surface of the high desert. At first glance, Cathedral Gorge looks like a first-rate destination for creative landscape photographers, yet I found creating compelling compositions much more difficult than expected. I needed to work long and hard for a solid week in order to come away with just a handful of images that did justice to both the location and my own personal vision. A handful of images, in this case, could be considered a success.

One of those images is the one you see above, Castles in the Sky. It’s a rather pedestrian scene, to be honest, if not for the wonderful, streaming clouds overhead. The use of my Canon EF 11-24mm f/4L USM lens at its widest focal length (11mm on a full-frame DSLR!) distorted the clouds, curving their direction mostly in a dramatic sweeping gesture from left to the upper right.

At the bottom of the image frame, there are a few random rock fragments that trail off to the lower left of the image frame. This creates the perfect counterbalance to the opposite effect in the top of the image, creating visual motion in the form of a subtle “S” curve,

Visual Motion

Visual motion is the illusion of actual movement in the image or the movement the viewer’s eye takes when exploring visual elements within the image frame. When a viewer first looks at a photograph or piece of visual art, their eyes will move throughout the image from element to element on a particular path. Those with the heaviest visual weight will command the most immediate attention followed by less significant elements, as lines, shapes, and patterns help guide the visual motion from one area to another. This is key to creating dynamic compositions as well as controlling and manipulating the viewer’s experience. Establishing visual motion in Castles in the Sky – with the abstract “S” curve – saved at least one image for me during my visit to Cathedral Gorge.

Castles in the Sky was captured with a Canon EOS 5D Mark IV DSLR and Canon EF 11-24mm f/4L USM lens and processed in Adobe Lightroom.

Castles in the Sky can be licensed or purchased as a print here.

Richard Bernabe is a professional photographer specializing in travel, wildlife, and nature as well as an author of books, magazine articles, and travel essays published world-wide. Richard is a global influencer is the fields of photography, travel, and wildlife conservation with more than one million followers on social media platforms. He leads several photography tours and workshops all over the world and is invited to speak to photography and conservation groups all across the globe. For more great information on new images, gear reviews, book projects, and photography workshops and tours, Sign Up For Our Newsletter.


Behind The Lens: Deepen The Mystery

Behind The Lens: Deepen The Mystery

Behind The Lens

Behind The Lens: Deepen The Mystery

“Mirage” Giraffe reflections in watering hole at sunset, Etosha National Park, Namibia. Canon EOS 5D Mark IV, Canon EF 24-70mm f/4L IS USM @ 64mm, 1/800 second @ f/4, ISO 2500.

“The Job Of The Artist Is Always To Deepen The Mystery”– Francis Bacon

It is not the job of the photographer to make things as clear and direct as possible for the viewing audience – or to present the photograph as to be fully comprehended or understood – it’s to deepen the mystery. The photographer’s job should be creating a sense of wonder, curiosity, bewilderment, even confusion. By withholding or hiding some visual information and clues, it leaves some work for the viewer so they become transformed from passive observers to an active participants while they try to unravel he mystery.

One of the reasons the image above has been so successful is its element of mystery, particularly with regard to the blocked-up shadows where the giraffes ought to be. The temptation for many photographers would be to open up the shadows as much as possible during processing to reveal all the details. But to deepen the mystery with my audience, I’ve purposely obscured a vital part of the image (the subjects) by allowing the shadows go to black and inviting the viewer to explore and solve the visual mystery. And like a good songwriter who refuses to explain the meaning of his or her lyrics, I’ll say no more about it.

Mysteries are incredibly compelling. The job of the photographer is to preserve them.
“Art evokes the mystery without which the world would not exist.” – Rene Magritte.
“The moment you think you understand a great work of art, it’s dead for you” – Oscar Wilde

Mirage was captured with a Canon EOS 5D Mark IV DSLR and Canon EF 24-70mm f/4L IS USM lens  and processed in Adobe Lightroom.

Mirage can be licensed or purchased as a print here.


Introducing the Canon 90D

Introducing the Canon 90D

Announcements

Introducing the Canon 90D

The Latest

The Canon 90D will officially be released by Amazon on September 12, 2019.

You can pre-order now, $1199 USD: Preorder Canon 90D from Amazon.

Canon 90D DSLR

The new Canon 90D was announced today by Canon and it appears to be aimed at the advantaged amateur who prefers wildlife and sports photography. This is a logical replacement to the popular Canon 80D

From the Canon Press Release:

The EOS 90D DSLR camera is ideal for the advanced-amateur photographer who values the look-and-feel of the DSLR body and benefits such as an optical viewfinder, 3.0-inch vari-angle touch screen LCD, addition of the multi-controller and a shutter button feel of professional EOS cameras. Now capable of shooting up to 10 frames-per-second (fps), a drastic increase from the 7.0 fps with the EOS 80D, users can capture all of the action on the sidelines of a football game or wildlife while on safari. Assisting in a photographers’ ability to capture the action is the 45-point all-cross type AF system, 100 percent viewfinder coverage and now supports up to 27 points in f/8 metering. In addition, the new AE sensor boasts an impressive 220,000 pixels and utilizes EOS iTR AF (face priority) detection. Together, these two features allow for the detection and tracking of faces in various environments and shooting situations while using the viewfinder.

Canon 90D Specs:

  • 32.5 Megapixel Image Sensor
  • 45AF all cross-type points
  • DIGIC 8
  • 10fps
  • 4K/30p/25p
  • FullHD at 120p/100p
  • Optical viewfinder & face detection
  • 100% viewfinder coverage
  • 220K dot RGB + IR metering (including iTR AF – face detection through the optical viewfinder)
  • Touchscreen Vari-Angle LCD
  • Dust & water-resistant
  • AF Joystick
  • Battery grip BG-E14

Richard Bernabe is a professional photographer specializing in travel, wildlife, and nature as well as an author of books, magazine articles, and travel essays published world-wide. Richard is a global influencer is the fields of photography, travel, and wildlife conservation with more than one million followers on social media platforms. He leads several photography tours and workshops all over the world and is invited to speak to photography and conservation groups all across the globe. For more great information on new images, gear reviews, book projects, and photography workshops and tours, Sign Up For Our Newsletter.


Behind The Lens: Brooks Falls, Alaska

Behind The Lens: Brooks Falls, Alaska

Behind The Lens

Behind The Lens: Brooks Falls, Alaska

“Brooks Falls” Brown bear on Brooks Falls, Katmai National Park and Preserve, Alaska USA. Canon EOS 5D Mark IV, Canon EF 200-400mm f/4L IS USM Extender 1.4x Lens @ 280mm, 1/13 second @ f/14, ISO 100.

Brooks Falls are located on the Brooks River about halfway between Brooks Lake and Naknek Lake in Katmai National Park and Preserve. The falls are best known for bear watching on the Bear Cam as salmon attempt to leap up and over the six-foot cascade on their way to their spawning grounds. Brooks Falls is also quite famous for a number of bear-catching-salmon-in-jaws photos that you’ve undoubted seen in prints, books, and all over the Internet.

I wanted to attempt something different here, a contrast between the stillness of a steady bear atop the falls and the ever moving water. The result, which you see here, has been published on numerous occasions including an appearance in my latest wildlife photography book. I’ve been been asked on several occasions if this is a composite created with one slow exposure for the water and another with a faster shutter speed for the bear. The answer would be no. Bears usually don’t move very quickly and they often just stand around looking dumb and confused. The shutter speed of 1/13 second was fast enough to render the idle bear as perfectly sharp while also creating an illusion of motion with the water.

This image was captured with a Canon EOS 5D Mark IV DSLR and Canon EF 200-400mm f/4L IS USM Extender 1.4x Lens and processed in Adobe Lightroom.


Behind The Lens: The Angel Oak

Behind The Lens: The Angel Oak

Behind The Lens

Behind The Lens: The Angel Oak

“The Angel Oak” Johns Island, South Carolina USA. Canon EOS 5D Mark III, Canon EF 24-105mm f/4L IS II USM Lens @ 24mm, 1/15 second @ f/20, ISO 320.

On South Carolina’s Johns Island just south of Charleston, you might find one of the world’s most formidable Southern live oak trees: The Angel Oak. It truly is a sight to behold, boasting a total height of 66 feet (20 meters), a 30-foot (9 meter) trunk circumference, and a canopy diameter of more than180 feet (55 meters). It’s exact age has not been determined but it’s believed to be about 500 years old, making it the oldest living thing in the United States east of the Mississippi River.

I composed the Angel Oak by zooming in tight on the core of the tree so there was no empty space around the edges and that the branches extended all the way out to the image frame and into the corners. I was shooting directly into the sun so I positioned myself where the sun was barely peeking behind a tree limb and then stopped down to f/20 to create a diffraction star.

I captured all of this with a Canon EOS 5D Mark III DSLR and Canon EF 24-105mm f/4L IS II USM Lens. I converted this to Black and White with Nik Silver Efex Pro2 on Adobe Lightroom.