Behind The Lens: Yellowstone in Winter

Behind The Lens: Yellowstone in Winter

Behind The Lens

Behind The Lens: Yellowstone in Winter

“Unforgiving” Two bison in less than ideal winter weather conditions, Yellowstone National Park, Wyoming USA. Canon EOS 5D Mark III and Canon EF 200-400mm f/4L IS USM Extender 1.4x Lens @ 280mm, 1/800 second @ f/9, ISO 250.

Yellowstone in Winter

Yellowstone in winter can see some brutally cold, brutally bad weather. But bad weather conditions often result in the best photos. Let me repeat that for the sake of emphasis: Bad weather often results in the best photos. And so it is with Yellowstone in winter. Oh sure, heavy snow-laden trees and a cobalt blue sky make for some pretty impressive imagery too, but when I wake to find stormy skies with wind and snow blowing across the landscape, I become extra excited. Bad weather creates drama and helps tell a story.

The biggest obstacle is overcoming is your self reluctance. And inertia. That is, a body at rest and in bed will tend to remain at rest and in bed unless there’s some additional force applied to it, such as the possibility of the most dramatic photos you will ever create in your life. And if you happen to be in a popular national park such as Yellowstone in winter, you’ll enjoy the added benefit of most likely being the only other photographer with the guts to be out there.

I particularly liked this symmetry created by the two inward-facing bison and the jagged edge between the geyser basin steam and the distant snow hills. This image, titled Unforgiving, has been sold as a print hundreds of times and published dozens. Thank the heavens for bad, stormy weather.

Unforgiving can be licensed or purchased as a print here.


Behind The Lens: Cathedral Gorge

Behind The Lens: Cathedral Gorge

Behind The Lens

Behind The Lens: Cathedral Gorge

“Castles in the Sky”  Rock formations in an alien landscape, Cathedral Gorge State Park, Nevada USA. Canon EOS 5D Mark IV, Canon EF 11-24mm f/4L USM lens @ 11mm, 1/125 second @ f/11, ISO 100. Converted to B&W in Adobe Lightroom.

Cathedral Gorge

Tucked into the southeastern corner of Nevada sits Cathedral Gorge State Park, a narrow, deeply-eroded valley exquisitely carved into the surface of the high desert. At first glance, Cathedral Gorge looks like a first-rate destination for creative landscape photographers, yet I found creating compelling compositions much more difficult than expected. I needed to work long and hard for a solid week in order to come away with just a handful of images that did justice to both the location and my own personal vision. A handful of images, in this case, could be considered a success.

One of those images is the one you see above, Castles in the Sky. It’s a rather pedestrian scene, to be honest, if not for the wonderful, streaming clouds overhead. The use of my Canon EF 11-24mm f/4L USM lens at its widest focal length (11mm on a full-frame DSLR!) distorted the clouds, curving their direction mostly in a dramatic sweeping gesture from left to the upper right.

At the bottom of the image frame, there are a few random rock fragments that trail off to the lower left of the image frame. This creates the perfect counterbalance to the opposite effect in the top of the image, creating visual motion in the form of a subtle “S” curve,

Visual Motion

Visual motion is the illusion of actual movement in the image or the movement the viewer’s eye takes when exploring visual elements within the image frame. When a viewer first looks at a photograph or piece of visual art, their eyes will move throughout the image from element to element on a particular path. Those with the heaviest visual weight will command the most immediate attention followed by less significant elements, as lines, shapes, and patterns help guide the visual motion from one area to another. This is key to creating dynamic compositions as well as controlling and manipulating the viewer’s experience. Establishing visual motion in Castles in the Sky – with the abstract “S” curve – saved at least one image for me during my visit to Cathedral Gorge.

Castles in the Sky was captured with a Canon EOS 5D Mark IV DSLR and Canon EF 11-24mm f/4L USM lens and processed in Adobe Lightroom.

Castles in the Sky can be licensed or purchased as a print here.

Richard Bernabe is a professional photographer specializing in travel, wildlife, and nature as well as an author of books, magazine articles, and travel essays published world-wide. Richard is a global influencer is the fields of photography, travel, and wildlife conservation with more than one million followers on social media platforms. He leads several photography tours and workshops all over the world and is invited to speak to photography and conservation groups all across the globe. For more great information on new images, gear reviews, book projects, and photography workshops and tours, Sign Up For Our Newsletter.


PhotoWhoa Interview: Capturing The Experience

PhotoWhoa Interview: Capturing The Experience

Announcements

PhotoWhoa Interview: Capturing The Experience

Capturing the experience…. “Redwood Supernova” Sunrise through the fog in Del Norte State Park and Redwoods National Park in northern California, USA.

Richard was recently interviewed for the photo website PhotoWhoa. He talked about the importance of passion as part of the creative process and capturing the experience.

“I want to have as many apex experiences as possible where I am literally moved to tears by the overpowering beauty or the devastating sadness I see and feel. And it’s what I feel – not what I see – that’s important. That’s a strange thing, perhaps, for a photographer to say. The emotional content of a scene is the vital core around which I’ll build my image. Without it, it’s just a pretty picture. I want my viewers, who might be thousands of miles removed from the physical scene and experience, to feel what I am feeling, not necessarily what I am seeing. That is photography for me.”

Richard Bernabe is a professional photographer specializing in travel, wildlife, and nature as well as an author of books, magazine articles, and travel essays published world-wide. Richard is a global influencer in the fields of photography, travel, and wildlife conservation with more than one million followers on social media platforms. He leads several photography tours and workshops all over the world and is invited to speak to photography and conservation groups all across the globe. For more great information on new images, gear reviews, book projects, and photography workshops and tours, Sign Up For Our Newsletter.


Behind The Lens: Deepen The Mystery

Behind The Lens: Deepen The Mystery

Behind The Lens

Behind The Lens: Deepen The Mystery

“Mirage” Giraffe reflections in watering hole at sunset, Etosha National Park, Namibia. Canon EOS 5D Mark IV, Canon EF 24-70mm f/4L IS USM @ 64mm, 1/800 second @ f/4, ISO 2500.

“The Job Of The Artist Is Always To Deepen The Mystery”– Francis Bacon

It is not the job of the photographer to make things as clear and direct as possible for the viewing audience – or to present the photograph as to be fully comprehended or understood – it’s to deepen the mystery. The photographer’s job should be creating a sense of wonder, curiosity, bewilderment, even confusion. By withholding or hiding some visual information and clues, it leaves some work for the viewer so they become transformed from passive observers to an active participants while they try to unravel he mystery.

One of the reasons the image above has been so successful is its element of mystery, particularly with regard to the blocked-up shadows where the giraffes ought to be. The temptation for many photographers would be to open up the shadows as much as possible during processing to reveal all the details. But to deepen the mystery with my audience, I’ve purposely obscured a vital part of the image (the subjects) by allowing the shadows go to black and inviting the viewer to explore and solve the visual mystery. And like a good songwriter who refuses to explain the meaning of his or her lyrics, I’ll say no more about it.

Mysteries are incredibly compelling. The job of the photographer is to preserve them.
“Art evokes the mystery without which the world would not exist.” – Rene Magritte.
“The moment you think you understand a great work of art, it’s dead for you” – Oscar Wilde

Mirage was captured with a Canon EOS 5D Mark IV DSLR and Canon EF 24-70mm f/4L IS USM lens  and processed in Adobe Lightroom.

Mirage can be licensed or purchased as a print here.


Love, Money, and the Eagles

Love, Money, and the Eagles

Short Essays

Love, Money, and the Eagles

Earlier this year, I traveled to western Mexico to photograph migrating gray whales as they spent the winter months in the warm shallow waters of Baja California’s Magdalena Bay. I planned to publish an accompanying essay, Welcome to Baja California, that would describe my experience while incorporating several not-so-subtle references to the 1970s megahit, Hotel California by the popular rock band the Eagles. I even went so far as to title each of my photos with lyrics pulled directly from the song itself: the craggy Baja coastal landscapes (What a Lovely Place?), eye-to-eye underwater encounters with the giant aquatic mammals (What a Lovely Face?) and some high-flying acrobatic breaching (Some Dance to Remember?) among others.

Then She Lit Up A Candle
Gray whale spouting at sunrise in Magdalena Bay, Baja California Sur, Mexico.
Canon EOS 5D Mark IV, Canon 100-400mm @ 263mm, 1/1000 second @ f/5.6, ISO 500

For my sake as well as yours, gentle reader, this cringeworthy effort was soon mercifully aborted. The jump-the-shark moment arrived as I typed out a welcoming gesture for the essay’s closing words (you can come check it out anytime you like but you’ll never want to leave?). Oh really? I stared incredulously at the computer screen for several moments, palm firmly pressed against forehead, reading and re-reading this nauseating passage while contemplating perhaps the greatest lapse of good taste and judgement of my professional life. To make matters worse, I was never even a fan of the song nor the Eagles either for that matter. My dislike, if I could even call it that, was more of a shoulder-shrugging meh than a full-blown Jeff Lebowski-level declaration of disgust. The Eagles were merely background noise in the musical soundtrack of my life, nothing more and nothing less.

Growing up, I never thought their music to be objectionable on its own merits, but the likelihood they were many of our parents’ favorite contemporary “rock and roll” band made them not only objectionable at the time, but contemptable. The real estate they occupied on the FM radio dial didn’t exactly help their rock cred either. Their agreeable soft rock ballads and soaring five-part harmonies were much more likely to punctuate an Elton John – Chicago triple play than share airtime with The Stones or Zeppelin.

Artistically – no, I’m not a music critic but simply a lover of music – I now see the band and their music as a monumental lost opportunity. Supremely talented singers and musicians that they were, the resulting body of work is less than inspiring. Rampant drug use, love triangles, power struggles and band infighting didn’t lead to creative synthesis, as it did for say Lennon and McCartney, but instead created distractions and artistic compromises, so much so that any bold or edgy musical initiatives were pulverized into finely-polished, universally-compliant, mellow mediocrities. Or perhaps they were motivated only by commercial success and record sales so once they found a formula that worked, they simply stuck to the script. Either way, many of their songs are breathtakingly predictable if not indistinguishable from one another. I’m not entirely convinced Take It Easy and Peaceful Easy Feeling are two completely different songs, are you? The Eagles were supreme gods of least common denominator rock and roll who produced inoffensive, commercially palatable music for the masses. Their lasting legacy is the undeniable fact that they sold a lot of records: no lyrical protestations or statements on social injustice (the peak of their success was during the 70s after all), no groundbreaking musical or artistic style, no risk-taking, no soul, no heart – yet they were wildly successful, commercial behemoths.

After Glow
Pied crows at Deadvlei with the sunset’s afterglow on the red dunes, Namib-Naukluft National Park, Namibia.
Canon EOS 5D Mark IV, Canon 100-400mm @ 248mm, 1/1250 second @ f/5, ISO 2000

From time to time, I’m asked to give interviews for various websites, blogs, podcasts, even local television stations and it’s a near certainty that at some point I will be asked to offer advice for up-and-coming travel, nature, wildlife photographers. That’s a difficult request since good advice for one aspiring photographer might be useless or even counterproductive for another. Still, it’s not a question I can easily duck so my answer is nearly always the same: If you need to do this, do it for love. Do it for love. Let me repeat, do it for love. Nothing else.

Do it because you passionately, intensely, insanely love photography and creative expression so much that your life will feel empty and unfulfilled if it’s not a central part of it. Don’t allow financial success or the illusion of a glamorous lifestyle of jet setting around the world, dating supermodels and making it rain in Ibiza be your motivation, lest you be ever so slightly disillusioned and disappointed to boot. If you follow your heart, both in how you manage your career as well as where you focus your artistic vision, you’ll discover success – however you happen to measure it – to be an organic byproduct of passionately pursuing what you love. You’ll also find a lifetime of happiness which, as the cliché goes, money cannot buy.

Meraki
Autumn lengas and Cerro Moreno in foggy weather, Los Glaciares National Park, Argentina.
Canon EOS 5D Mark IV, Canon 70-200-400mm @ 135mm, 1/1000 second @ f/16, ISO 640

Another question I’m commonly asked is, “What has been the proudest achievement of your career?” Now that’s an easy one: I never photographed anyone’s wedding. No matter how lucrative the offer happened to be, I would always politely decline. A logical follow-up that’s curiously never asked is, “Why not?” Well, I’m more than happy to share that answer with you here. First, I wouldn’t want to be at the wedding in the first place and my uninspired work would probably reflect that sad fact. There’s no love in this place, only disappointment and tears. Second, financial reward would be the only reason I would even consider doing such a thing and that’s not why I chose this particular path in life. There are more conventional career paths out there designed for accumulating money and power. And third, if I didn’t know any better, I’d say the whole proposition sounds suspiciously like something called a job. Come to think of it, the whole premise reminds me of a certain overrated band I know.

LOS ANGELES, JUNE 2019