Living The Dream: My New Online Photography Course

Living The Dream: My New Online Photography Course

Announcements

Living The Dream: My New Online Photography Course

Living The Dream

 

The Ultimate Guide to Landscape, Wildlife, and Travel Photography

A photo expedition to one the planet’s bucket-list destinations can easily cost many thousands of dollars in guides, food, lodging, and transportation. And don’t even get me started on how expensive photography gear can be these days. So how heartbreaking is it to return home from your trip-of-a-lifetime only to find your photos to be disappointing, lacking the technical refinement, excitement, and emotion of the experiences you just had? Wouldn’t it be wise to invest just a fraction of those costs into a comprehensive learning experience that will guarantee better photographs from your next trip, whether that’s elephants marching across the African savannah, first light on the peaks of the Rocky Mountains or even a favorite photo location close to home?

18 years ago, when I became a full-time professional photographer, I literally started with nothing. Since then, I have traveled to more than 60 countries in pursuit of exotic lands and magic light, completed assignments for National Geographic, The New York Times, and the BBC among other clients, and built a social media following of more than 1.2 million. I guess you can say I’m Living the Dream but I’m really just doing what I love. Now I want to share with you everything I’ve learned – as well as what it takes to be a professional nature, wildlife, and travel photographer – since I became a pro in 2003.

Living The Dream

In this course, I’ve carefully and thoughtfully laid out what I believe are the most important photography lessons I wish someone had taught me when I was starting out. Here’s just some of what’s included:

  • 5 hours of premium video content (watch it from our site or download it for life). This includes brand new material not covered anywhere else, including a 80-minute sit-down interview on camera, Photography and the Six Principles of Art presentation, composition, long exposures, scale versus personal vision, natural light, and a lot more. You get to see and hear me explain everything in detail with well-organized class segments using my own photographs as vivid illustrations.
  • Tips on the gear I use and proven wildlife photography techniques I’ve used all over the world.
  • Lightroom and Photoshop processing videos, including using and making your own luminosity masks, exposure blending with blend-if sliders and color channels, focus stacking, panoramas, and more.
  • 2 Bonus PDF books: Richard’s Epic Photo Destinations and Richard’s Guide to Going Pro.
  • My Lightroom Preset Collections: “Enhance” for color landscapes and “Transform” for Black and White conversions.

Consider this your preparation for that next bucket list expedition by upping your game now. There’s no better time to make that quantum leap in your photography skill set and knowledge than this current travel “hiatus.”

Join The Adventure!

By subscribing to my monthly newsletter, you'll get timely updates on events, stories, my latest photos, and my favorite photography tips. Let me share this amazing world with you directly to your computer or phone. Come on, join the adventure!

Richard Bernabe is a professional photographer specializing in travel, wildlife, and nature as well as an author of books, magazine articles, and travel essays published world-wide. Richard is a global influencer in the fields of photography, travel, and wildlife conservation with more than one million followers on social media platforms. He leads several photography tours and workshops all over the world and is invited to speak to photography and conservation groups all across the globe. 

Bernabe Answers Twitter AMA (Ask me Anything)

Bernabe Answers Twitter AMA (Ask me Anything)

Creativity

Bernabe Answers Twitter AMA (Ask me Anything)

Bernabe Twitter AMA

Go Ahead. Ask Me Anything

If you feel 2020 has been like a strangely dystopian episode from The Twilight Zone, you’re not alone. To borrow and paraphrase a colorfully descriptive lyric from the pen of musician Gordon Summer, it’s been one humiliating kick in the crotch after another for humanity. It began in January – as most years do – with Kobe’s tragic death and limped into February with the persistently hellish brushfires in Australia, where 40 percent of the koala population perished. It’s estimated that the total area of torched land there, when the fires were finally contained, was equal to the size of Portugal. March smirked, said hold my beer, and unleashed a global pandemic on the world that forced almost every human being into a self-isolating lockdown with nightly rolling death counts and frightening toilet paper shortages. April conceived a vision of what a 1930s-style Great Depression might feel like and gifted us a flying demon called the murder hornet. And if all that doesn’t Sting enough, we’re not even halfway through May.

So, at the urging of some Twitter followers, I sheepishly offered an AMA (Ask Me Anything) session with the hashtag #BernabeAMA on April 28 and 29, as a modest distraction from all the above. I chose some of my favorites and gave my answers here. I’ll try to address as many of the others as I can, but most were fairly redundant so an answer to one is an answer to many. I also tried to avoid most of the technical gear questions because….well, I think gear is boring, at least for what I wanted to accomplish here. I’ll get back to you personally about your camera gear and lenses. Hey, I do have the time.

So here we go. Thanks to everyone who participated!

What was your biggest photographic challenge? @IamnotMarilyn

My good friend Rick Sammon just completed a book titled Photo Quest: Discovering Your Photographic and Artistic Voice and I was honored to be asked to write the book’s foreword, which I happily did.  With regard to “finding your voice” I attempted to make two key points. First, it’s essential that you know yourself. Know your sources of happiness, your deepest fears, who you really are and what you’re not. Be honest since this is where the voice comes from. Second, as an artist, you need create for yourself. Be selfish. Don’t create to pacify the critics or impress your peers. Don’t create for the sake of “likes” on social media and don’t create for commercial success either, otherwise it’s not your voice. It’s the voice of someone else. By being selfish, paradoxically, you ultimately achieve perfect selflessness since there’s no greater gift you can give your audience than a piece of your authentic self.

Now I hear many of you shouting into your computer screen or phone.

“That’s sounds great, Bernabe, but how can you be a professional photographer or artist and make a solid living if you’re not listening to the market and what editors, collectors, and clients want from you and your work? How can you survive financially?”

The long answer to that question would make an excellent blog post or essay for another day. The short answer directly addresses your question as to my biggest challenge.

I have always admired your photos with symmetry of animals. And this is very different from a landscape. So, what happens first: luck or patience in getting the shot right? @40GRAUSS

Luck plays a much larger role in wildlife photography than any of us would care to admit but it still runs both ways. I’ve been in situations where I’ve done everything right and prepared for every possible contingency and it didn’t work out because of something completely out of my control. Conversely, there were times when I couldn’t be more inept if I’d forgotten to remove the lens cap yet still managed to pull a rabbit out of the hat. You take the good with the bad but good luck does tend to correlate positively with the amount of time invested in the field. Patience certainly helps but preparation and research are even better.

Can nature and landscape photographs be “too pretty”? @gregerts

I don’t believe you can have too much beauty in your life, particularly during these dreary times. But instead of relying solely on superficial beauty to carry your image, why not make it meaningful too? Better yet, make the images all about what’s meaningful to you and the emotional responses to your experiences. The real subjects of your photographs should be raw emotion: awe, peacefulness, power, fragility, joy, melancholy rather than the shallow, self-indulgent sentimental beauty you might find in a Thomas Kincade painting or John Denver song. Your personal vision and interpretation of nature should be the shortest distance between your heart and your audience so they can feel what you feel, not what your camera coldly captures.

Did you do formal photography study such as at school/college? Did you do an internship or work with a more skilled photographer in the beginning of your career? @MelindaAlfred

No, I’m completely self-taught which only means I have so many bad habits to overcome that I now rationalize my flaws as giving my work “character.”

I have mixed feelings about formal training for artists. On the one hand, the more you learn about anything, the better as a general matter. On the other hand, an untrained, motivated, insanely curious person with a strong personal vision might have a more intuitive feel for creative expression, but that’s just my uneducated, unlettered opinion.

How did you know your style? @fanni40877378

I’m allergic to the whole concept of style to be honest, to which anyone who has seen how I dress can attest.

When someone sends an email to say they’ve seen one of my published magazine photos while in the dentist’s waiting room, it’s a nice gesture that never goes unappreciated. But when they go on to say they knew the photo was mine because they recognize my style, I die a little on the inside. By having a style, it means I’m using the same conceptual formula time after time for each experience even if the location, subject matter, and circumstances are different. It’s muscle memory. It’s easy. It’s lazy. It’s not being creative.

I try to approach each situation with a clear and open mind, completely in the present moment, with zero influence from the previous day, week or month. Have a look at David Bowie’s body of work through the years. I respect the hell out of Bowie. He was always re-making himself and his music as something different from what he did before while still being different from everyone else. That’s why even now, Bowie’s music still sounds so fresh to me.

What is the progression of questions/attributes that you use when evaluating a scene for its photographic potential? @firthermor

My process always starts with an emotional/intuitive/right-brained series of questions regarding how the scene or subject makes me feel. I’m searching for an emotional core around which I’ll build the image. The process then transitions into conceptual/technical/left-brain thinking about how I want to execute it. This is almost always the methodology I use.

You can only use one lens for the rest of your photography days. What will you choose, and why? The format is 35mm equivalent, and it must be a real existing lens. @awilliamsny

If you’re going to put me in that predicament, I’d hold my nose and go buy a Tamron 18-400mm “ALL-IN_ONE” lens. Honestly, I didn’t even know there was such a thing until 5 minutes before writing this piece. But in the real world, I would keep my Canon EF24-105mm F4L IS II USM (Soon to be the RF Version) since 24mm is wide enough for wide-angle, near-far landscapes and 105mm would allow me to do some wildlife in a pinch, with a bit of cropping. It is, of course, the perfect “walking around” lens and ideal for street photography and general travel.

Beyond photography, music and writing are there other creative art forms that interest you? @mauramullarkey

Are you saying there’s more to life than that? I mean, beyond food and the love of friends and family, is there anything else I need? I’m a fan of any type of creative expression – movies, music, art, even poetry – that has the ability to inspire or move me to tears.

After another long hard day at the office, travelling, or shooting in the field, what’s your go to drink? @life_with_louis

With the exception of an occasional signature exotic drinking experience tied explicitly to a particular place (aguardiente in Colombia, pulque in Mexico City, absinthe in Paris, etc.), I prefer to keep my libations pretty simple: water, a double espresso, or red wine, depending how good or bad a day it was.

What is your favorite Seinfeld episode and why? @themahoneyphoto

The Boyfriend. I grew up in the shadow of New York City and I’ve been a Mets fan since I was 4 years old. Keith Hernandez, Art Vandalay, did you sneak a peak?, the magic loogie. No need to go on. But I consider the very act of asking a Seinfeld question to be openly flirting… so I see you, Jason.

What is that one elusive goal you have yet to accomplish in your career? @KristaBower411

I’ve always wanted to get arrested and spend a night in jail, but that goal has been a spectacular failure. You’d think it wouldn’t be so difficult or “elusive” but it has, mainly because of the many caveats and pre-conditions I’ve demanded. For example, it must be a real arrest, not some phony stunt. It must be a victimless crime yet not petty and pointless like shoplifting or trespassing. I’d prefer to be arrested and incarcerated in the name of some righteous cause such as a protest or sit-in while battling a social or environmental injustice. I could actually be proud of that and wave my arrest record around in public like a badge of honor. Also, one night in jail. Just one, thank you very much.

Why? Curiosity mostly. That and my environmental activist friends tell me I can’t be taken seriously until I’ve been arrested at least once. But yeah, it’s mostly curiosity.

Hey, you asked!

Join The Adventure!

By subscribing to my monthly newsletter, you'll get timely updates on events, stories, my latest photos, and my favorite photography tips. Let me share this amazing world with you directly to your computer or phone. Come on, join the adventure!

Richard Bernabe is a professional photographer specializing in travel, wildlife, and nature as well as an author of books, magazine articles, and travel essays published world-wide. Richard is a global influencer in the fields of photography, travel, and wildlife conservation with more than one million followers on social media platforms. He leads several photography tours and workshops all over the world and is invited to speak to photography and conservation groups all across the globe. 

Favorite Images of 2019: A Retrospective

Favorite Images of 2019: A Retrospective

Inspiration

Favorite Images of 2019: A Retrospective

In early 2019, I was casually mugged by a teenaged reggae enthusiast in broad daylight while traveling in Mexico. Thin, lanky, with hollowed-out cheeks and a wolfish face, this young Bob Marley acolyte donned an oversized Rasta beanie and black tee shirt emblazoned with Marley’s visage and the suddenly appropriate words in block letters:

IF BOB SAYS DON’T WORRY, I AIN’T GONNA

Under the shirt, he kept one hand concealed, which for my sake was to imply a weapon of some sort. I happily obliged, giving him everything on my possession at the time: a first-generation iPad and two 100-peso bills (about twelve US dollars) each of which, before this interruption, were to help me score a mid-morning espresso in the city center of La Paz. This led to an uncomplicated, if not one-sided, transaction between me and the petty thief.

Expect the unexpected might be a tired cliché but that doesn’t make it any less true, particularly with regard to travel. Planning is admirable and always recommended but you should also assume that most of your plans will eventually be replaced by improvisation and gut instinct. Expect the unexpected. But why is the unexpected always biased toward the bad, negative, disappointing, tragic, or catastrophic? Bad travel experiences always eclipse the good ones because they make for better stories afterwards. No one wants to hear your boring tale about how smoothly your trip went off. No one.

Vehicle breakdowns, sickness, missed or cancelled flights, getting lost or even robbed are not necessarily to be expected but are never a total surprise either. My approach to the unforeseen and accidental is to remain calm, stoic, and philosophical as possible. This was expected after all, right? Besides, never in the entire known history of human travel has throwing a tantrum and acting like a spoiled, entitled tourist ever fixed a thing. Take a detached perspective of the situation as a curious bystander might do. It can be interesting or even slightly amusing if you don’t take the turn of fate too personally. It might actually be funny if not for the fact it was happening to you at that very moment. Rest assured, however, you will be able to laugh about it later.

On the dusty streets of La Paz, I wondered how Marley would feel about not only being a witness to this unfortunate situation but an unsuspecting accessory as well. I glanced at the shirt of my antagonist and imagined Bob wearing a pained frown of disapproval. He might even have said, don’t worry…

When the boy suggested that he follow me back to the hotel, presumably for the promise of a bigger and better haul, a wave of panic flooded over me. I looked him in the eyes, shook my head and emphatically said, “No.” No means no in either English or Spanish so he threw both hands up in the air (revealing there never was a weapon), backed away, and disappeared into the steamy La Paz landscape.

I hastily pulled myself together, checked to see if anyone had been watching, and returned to my room for more pesos. Coffee delayed was not going to be coffee denied and yes, every little thing was gonna be alright.

So, now on to some happier moments from this past year.

Silver Silken Blade
Gerlache Straight, Antarctica
December 6, 2019

But what of silver silken blade? I know this image isn’t everyone’s cup of tea, but it sure is mine: moody and mysterious with just a glimmer of hope, glorious details of the Antarctic landscape combined with graphical abstract qualities as well. Canon EOS 5D Mark IV, Canon 100-400mm @ 349mm, 1/1000 second @ f/6.3, ISO 1000.

Okaukuejo Rising
Etosha National Park, Namibia
June 18, 2019

A big African sunrise over the Etosha Plains with a lone elephant kicking up a little dust for some lighting drama. Compositionally I like a asymmetrical balance created by counterpoising the two primary visual elements but I hate the horizon cutting right through the top of the elephant. Bad form by me. Canon EOS 5D Mark IV, Canon 200-400mm w/ 1.4x @ 560mm, 1/1250 second @ f/11, ISO 100.

Meanwhile On Mercury
Cathedral Gorge, Nevada USA
November 12, 2019

This is a real landscape. On this planet. The scale, however, is extremely misleading. Canon EOS 5D Mark IV, Canon 11-24mm @ 22mm, 1.6 seconds @ f/14, ISO 100.

After Glow
Pied Crows at Deadvlei, Namibia-Naukluft National Park, Namibia
June 13, 2019

I’ve been to Deadvlei countless times and it’s highly unusual to see any living things in this surreal place. After the sun set and there was no light other the the glow on the orange dunes, two pied crows set upon one of the most photogenic trees in the valley. This is why I carried my telephoto lens up and over the dunes. Canon EOS 5D Mark IV, Canon 100-400mm @ 248mm, 1/1250 second @ f/5, ISO 2000.

Destiny Unbound
The Camargue south of Arles, France
September 12, 2019

“She said, there isn’t even any road, our destiny was bound”

White horses, bright sunset light, slow exposure to create the illusion of motion, high-key processing.

Canon EOS 5D Mark IV, Canon 24-105mm @ 105mm, 1/15 second @ f/5, ISO 1600.

Meraki
Los Glaciares National Park, Argentina
April 8, 2019

Meraki is a word used to describe doing something with soul, creativity, or love. On the day I created this image it was cold, wet, and misty, with fog rolling in and out of the mountains, keeping them concealed for most of the time. In other words, it wasn’t the best of conditions. Then I found this composition and I created something new and meaningful, at least for me in this location. I was exhilarated! I remember thinking at that moment, “Holy #%*& I love what I do!” I might have even uttered it out loud. Canon EOS 5D Mark IV, Canon 100-400mm @ 135mm, 1/1250 second @ f/16, ISO 1600.

She Lit Up a Candle
Magdalena Bay, Baja California Sur, Mexico
February 14, 2019

The unfortunate title of this image is the result of an unfortunate essay i wrote about an unfortunate popular rock song. I’ll just leave it at that.

There’s an almost zen-like quality to this photo: a wildlife image with no conspicuous wildlife subject? It’s understood. I kind of like that. Despite the many images from this trip with whales in the water and in the air, this photo captured how I felt more than any of the other crowd favorites. This is a gray whale spouting at sunrise in Magdalena Bay, which is protected from the Pacific Ocean by the remote, sandy barrier islands of Isla Magdalena and Isla Santa Margarita. Canon EOS 5D Mark IV, Canon 100-400mm @ 263mm, 1/1000 second @ f/5.6, ISO 500.

Faraway
Ngorongoro Conservation Area, Tanzania
May 14, 2019

In Tanzania’s Ngorongoro crater, the hills (actually the crater walls) are never quite out of sight. Here you lack the big skies of the Serengeti but the multi-hued hills with the chiaroscuro lighting in the late afternoons are the type of palettes I prefer. Canon EOS 5D Mark IV, Canon 200-400mm @ 490mm, 1/1250 second @ f/6.3, ISO 250.

Wrinkles In Time
Death Valley, California USA
March 25, 2019

It’s all about texture and movement here. The texture is obvious upon arriving at the scene but it’s also somewhat chaotic at first sight. What makes the image work for me is the visual movement. The subtle diagonal, left-to-rightward flow carries the eye through the frame like dancing barefoot through the desert. Canon EOS 5D Mark IV, Canon 24-105mm @ 91mm, 1/10 second @ f/14, ISO 200.

Paulet
Paulet Island, Antarctica
December 9, 2019

An Adélie penguin welcomes visitors to Paulet Island with an offer of a hug, northeastern tip of the Antarctic Peninsula. Canon EOS 5D Mark IV, Canon 24-105mm @ 35mm, 1/2000 second @ f/11, ISO 640.

Falling Down
Great Smoky Mountains National Park, Tennessee USA
October 29, 2019

No dramatic light or special natural phenomenon. No in-your-face, complex composition or visual design. Just a quiet, peaceful photograph of a spacial place during my favorite season of the year. The overhanging tree branches do help to create a very cohesive composition here, however. Enjoy. Canon EOS 5D Mark IV, Canon 24-105mm @ 35mm, 1.6 seconds @ f/16, ISO 100.

You can check out my Favorite Images of 2018 here as well.

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Here’s to Truth, Adventure, and Passion in 2020 –  Richard

Richard Bernabe is a professional photographer specializing in travel, wildlife, and nature as well as an author of books, magazine articles, and travel essays published world-wide. Richard is a global influencer in the fields of photography, travel, and wildlife conservation with more than one million followers on social media platforms. He leads several photography tours and workshops all over the world and is invited to speak to photography and conservation groups all across the globe. For more great information on new images, gear reviews, book projects, and photography workshops and tours, Sign Up For Our Newsletter.

PhotoWhoa Interview: Capturing The Experience

PhotoWhoa Interview: Capturing The Experience

Announcements

PhotoWhoa Interview: Capturing The Experience

Capturing the experience…. “Redwood Supernova” Sunrise through the fog in Del Norte State Park and Redwoods National Park in northern California, USA.

Richard was recently interviewed for the photo website PhotoWhoa. He talked about the importance of passion as part of the creative process and capturing the experience.

“I want to have as many apex experiences as possible where I am literally moved to tears by the overpowering beauty or the devastating sadness I see and feel. And it’s what I feel – not what I see – that’s important. That’s a strange thing, perhaps, for a photographer to say. The emotional content of a scene is the vital core around which I’ll build my image. Without it, it’s just a pretty picture. I want my viewers, who might be thousands of miles removed from the physical scene and experience, to feel what I am feeling, not necessarily what I am seeing. That is photography for me.”

Richard Bernabe is a professional photographer specializing in travel, wildlife, and nature as well as an author of books, magazine articles, and travel essays published world-wide. Richard is a global influencer in the fields of photography, travel, and wildlife conservation with more than one million followers on social media platforms. He leads several photography tours and workshops all over the world and is invited to speak to photography and conservation groups all across the globe. For more great information on new images, gear reviews, book projects, and photography workshops and tours, Sign Up For Our Newsletter.


Behind The Lens: Deepen The Mystery

Behind The Lens: Deepen The Mystery

Behind The Lens

Behind The Lens: Deepen The Mystery

“Mirage” Giraffe reflections in watering hole at sunset, Etosha National Park, Namibia. Canon EOS 5D Mark IV, Canon EF 24-70mm f/4L IS USM @ 64mm, 1/800 second @ f/4, ISO 2500.

“The Job Of The Artist Is Always To Deepen The Mystery”– Francis Bacon

It is not the job of the photographer to make things as clear as possible for the viewing audience – or to present the photograph as to be fully comprehended or understood – it’s to deepen the mystery. The photographer’s job should be creating a sense of wonder, curiosity, bewilderment, even confusion. It should be about making things somewhat murky and not-so-obvious to the audience while obscuring vital information and clues so that each individual viewer is transformed from a mere passive observer to an active participant as they seek to figure things out.

One of the reasons the image above has been so successful is its element of mystery, particularly with regard to the blocked-up shadows where the giraffes ought to be. The temptation for many photographers would be to open up the shadows as much as possible during processing to reveal all the details. But to deepen the mystery with my audience, I’ve purposely obscured a vital part of the image (the subjects) by allowing the shadows go to black and inviting the viewer to explore and solve the visual mystery. And like a good songwriter who refuses to explain the meaning of his or her lyrics, I’ll say no more about it.

Mysteries are incredibly compelling. The job of the photographer is to preserve them. “Art evokes the mystery without which the world would not exist.” – Rene Magritte.

Mirage was captured with a Canon EOS 5D Mark IV DSLR and Canon EF 24-70mm f/4L IS USM lens  and processed in Adobe Lightroom.

Mirage can be licensed or purchased as a print here.

Join The Adventure!

By subscribing to my monthly newsletter, you'll get timely updates on events, stories, my latest photos, and my favorite photography tips. Let me share this amazing world with you directly to your computer or phone. Come on, join the adventure!

Richard Bernabe is a professional photographer specializing in travel, wildlife, and nature as well as an author of books, magazine articles, and travel essays published world-wide. Richard is a global influencer in the fields of photography, travel, and wildlife conservation with more than one million followers on social media platforms. He leads several photography tours and workshops all over the world and is invited to speak to photography and conservation groups all across the globe.